Clark Art Talks
Clark College’s Artist & Scholar Lecture Series
Upcoming Art Talks:
This Clark College Artist and Scholarly Lecture Series invites professional artists to speak to our community about their practice. This gives our students, faculty, and staff unique insight into how each artist creates artwork and makes a living within contemporary society, in turn pushing back on the ‘starving artist’ stereotype. These lectures also present a variety of scholarly journeys to inspire students. All of these events are free and anyone may attend (unless otherwise noted).
Tuesday, April 14th, 2026, 1 - 2pm
Location: Clark College, Penguin Union Bldg., rm 161
Nan Curtis
Nan Curtis received her MFA from the University of Cincinnati & BA from the College of Wooster. Curtis's practice is interdisciplinary, mining site, home and personal narrative to reframe what can be considered mundane. Major exhibitions include Mira Costa College, San Diego; DiverseWorks, Houston; Tacoma Art Museum; ConsolidatedWorks, Seattle; Linfield College, OR; Portland Institute for Contemporary Art (PICA), Elizabeth Leach, Williamson/Knight, 1430Contemporary, NINE & The Art Gym in Portland.
This artist talk is in conjunction with her exhibit “2026 Artist In Residence: Nan Curtis” on view in the Archer Gallery through May 6th.
Thursday, April 30th, 2026, 1 - 2pm
Location: Clark College, Penguin Union Bldg., rm 161
Miel- Margarita Paredes
Miel-Margarita Paredes is a metalsmith, jewelry maker and stop-motion puppet skeleton builder. She is known for her work on Guillermo del Toro's Pinocchio (2022), ParaNorman (2012) and The Boxtrolls (2014). She was born in Suva, Fiji, where her neighbors owned a pig named Houdini because of his frequent attempts to escape into the mangrove swamp. Memories of that large smelly animal and the delicious dinner he became have stayed with Miel through her adult life, while she studied metalsmithing at California College of Art and Craft in Oakland and the University of Wisconsin in Madison. Her metalwork incorporates the animal figure and traditional ornamental devices to interpret the ways in which we humans manipulate our environment to suit our needs; deconstructing and reconstructing both inanimate and animate objects. She lives with her husband, two children, two cats, six fish and is growing a wildflower garden outside her home studio window in Portland, Oregon.
Monday, May 4, 2026, 10 - 11am
Location: Clark College, Penguin Union Bldg., rm 161
Bonnie Paisley
Bonnie received her BFA from RISD and her MFA from Portland State University. She is the owner of Paisley Studios, a community fine art studio in Portland, Oregon that offers grounding support to artists of all skill levels through visual art instruction and an affordable membership program for womxn artists.
Thursday, May 7, 2026, 1 - 2pm
Location: Clark College, Penguin Union Bldg., rm 161
Anya Roberts-Toney
Anya Roberts-Toney's oil paintings and works on paper explore feminine power and desire for connection with a feminine-charged landscape. Her work is included in the permanent collections of the Portland Art Museum and Soho House, has been presented on Platform (a David Zwirner Project), and has been exhibited locally and nationally at locations including Disjecta Contemporary Art Center, Dust to Dust Projects, La Loma Annex, Nationale, The Portland ‘Pataphysical Society, the Office at Russo Lee, Somos Gallery, and Stephanie Chefas Projects. She is a winner of the Hopper Prize, a recipient of both a Photography Documentation Grant and a Career Opportunity Grant from the Oregon Arts Commission (with additional funding from the Ford Family Foundation), and a recipient of the Stumptown Artist Fellowship. Anya received her BA in Studio Art from Brown University and her MFA in Visual Studies from Pacific Northwest College of Art. Originally from Seattle, WA, she lives and works in Portland, OR, where she is represented by Nationale.
(Photo by Mario Gallucci)
Thursday, May 12, 2026, 11am - 12pm
Location: Clark College, Penguin Union Bldg., rm 161
Dan Attoe
Dan Attoe’s paintings depict natural wonders—waterfalls, beaches, mountains, rocky cliffs, over-sized forests—populated by tiny figures spouting even tinier diaristic missives, painted in silver and culled from the artist's stream of consciousness. The miniature humans disrupt the grandeur of nature with their small stature and utterances. His drawings share the same concerns but inverted—the phrases and disconnected images are larger and often cartoonish, creating small-scaled narrative vignettes. Attoe makes a small drawing every day that he keeps for himself—slightly larger drawings and paintings expand upon this practice. John Motley observes in The Portland Oregonian, “Multiple drawing styles reinforce the varying perspectives on youth and childhood, from pure, storybook fantasy to a less-innocent complexity, where fear and sexuality mingle.” Attoe said of his work, “The landscape can be enjoyed for its beauty, and the disparity between it and the figures, but it also exists in service to these contemporary people in funny or ordinary clothing saying everyday things about e-mails or engaging in interpersonal clumsiness.” Dan Attoe’s recent shows include Glowing River at The Hole in New York; Recent Landscapes at Half Gallery in New York (reviewed in Artinfo); Landscapes with Water at Peres Projects in Berlin (reviewed in Frieze Magazine); and Dan Attoe at 1430 Contemporary in Portland (reviewed in Art in America). He has been in numerous group shows in galleries and museums in the United States and Europe. He worked with and was part of the inspiration for a line of clothing by fashion designer Adam Kimmel in 2011. Attoe is also one of the founders of Paintallica, an artist collective that has presented performative installations across the country, as well as Barneys New York and the Iowa State Fair. Dan Attoe’s work has been written about and featured in Artforum, The Los Angeles Times, Art Review, The Journal, Flash Art, Berlin Art Journal, PAPERMAG and The New York Times. He received his BFA from the University of Wisconsin in 1998 and his MFA from the University of Iowa in 2004. He is represented by Western Exhibitions in Chicago and Peres Projects in Berlin. Born in 1975 in Bremerton, Washington, Attoe grew up in parts of Washington, Idaho, Minnesota and Wisconsin, and now lives and works in Washougal, Washington.
Tuesday, May 19, 2026, 10am - 11am
Location: Clark College, Penguin Union Bldg., rm 161
Mae Al-Jiboori
As a self-taught artist and painter, I create highly abstract faces and figures with enigmatic undertones that challenge traditional notions of beauty and representation. I am drawn to the human condition and thought-provoking art that forces its viewers to perceive differently; to evoke something within. I do not aim to create, "high" or traditional art, or what is already out there, but to challenge myself and my emotions by displaying what I feel and go through in this expressive yet physical medium. The image is all-powerful, not solely by the creator, but by the viewer invited to consume the raw and visceral nature through creation. By subverting conventional expectations, I hope to inspire reflection and perspective through distorted faces, surreal bodies, and lost gazes.